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An ex-hacker is forced to break into high-level banking institutions, another man must try to penetrate the booby-trapped building to get the young man off the hot seat.
Sean Hayes serves as roast master as it is Alec Baldwin’s turn in the hot seat. Robert De Niro, Jeff Ross, and Caitlyn Jenner among others take jabs at the actor/comedian.
Smart, slick and funny, Trevor Noah, South Africa’s favourite comedian is back with Pay Back The Funny – his best show yet. Recorded Live in Johannesburg at his sold out Lost In Translation Tour, this is his first one-man show since It’s My Culture in 2013. Having sold out theatres everywhere from Auckland to Chicago and replacing Jon Stewart in the hot seat at Comedy Central’s The Daily Show in-between, Trevor gives his unique take on the funny side of life in South Africa. Pay Back The Funny is typical Trevor – irreverent, interesting and irresistible!
The Man In The Hat sets off from Marseilles in a small Fiat 500. On the seat beside him is a framed photograph of an unknown woman. Behind him is a 2CV into which is squeezed Five Bald Men. Why are they chasing him? And how can he shake them off? As he travels North through France, he encounters razeteurs, women with stories to tell, bullfights, plenty of delicious food, a damp man, mechanics, nuns, a convention of Chrystallographers and much more, coming face to face with the vivid eccentricities of an old country.
In this single shot thriller, we’re in the driver’s seat with small-time dealer Budge as he tries to pull one last deal with cash borrowed from a dangerous loan shark. When the handover goes catastrophically wrong, Budge finds himself in a race against time to find his missing product and get a new buyer before the loan shark tracks him down.
Twenty years ago, Kurt Cobain was found dead of an apparent gunshot wound to the head. The world was told it was a suicide, but evidence would lead many people to believe it might be otherwise. The film investigates the possibilities that exist that Kurt Cobain’s death might not have been a suicide, that the Seattle Police Department rushed their verdict, and the global media perpetuated lies and misinformation fed to them by Courtney Love that created the belief in many that Cobain killed himself, but when revealed to be lies, lead many to now question what happened.
Fourteen-year-old Mackenzie is sent to live with her uncle in Juneau when her mother can’t care for her anymore. The living situation quickly takes a turn for the worse, and she runs away to rejoin her mother in Seattle. While on her dangerous journey of sleeping in cars and breaking into hotel rooms, she’s drawn to Rene, a lonesome backpacker looking for tranquility in the wilderness.
TRAILER TRAUMA was only the beginning – now you must prepare yourself as a fresh assault of gruesome ghouls leaps off of the screen and into the driver’s seat! Return to the horrific heyday of drive-in theaters and dusk-till-dawn spook shows with TRAILER TRAUMA 2: DRIVE-IN MONSTERAMA, a celebration of psychotronic cinema and monster movie mayhem! This disc has it all: campy classics (WAR OF THE GARGANTUAS, THE BOY WHO CRIED WEREWOLF), Hammer Films favorites (CAPTAIN KRONOS: VAMPIRE HUNTER, FRANKENSTEIN AND THE MONSTER FROM HELL), absolute absurdities (BRAIN OF BLOOD, THE COMPUTER KILLERS), and much, much more! Featuring commentary by genre aficionados Keith Crocker and George Reis (dvddrive-in.com) and digitally mastered from vintage 35mm film sources, TRAILER TRAUMA 2 is a mutant movie massacre destined to blow your mind and eat you ALIVE! 95 RARE AND HARD-TO-FIND TRAILERS MASTERED IN HD… MANY FOR THE FIRST TIME ANYWHERE! NEARLY 3.5 HOURS OF MONSTROUS MAYHEM!
Song Yeon-Hwa, a reporter of a weekly entertainment magazine, is 27 years old. Though she is almost kissed by her boy friend several times, she has refused without particular reasons. Then she lost her boy friend. Now knowing her shilly-shally is the reason of her lost love, Song Yeon-Hwa loses daily rhythm all in a furry. One day Han Kyeong-Hyeon, who seems to be a playboy, came to work with her as a photographer. Seating next seat Kyeong-Hyeon nags her chattering all kinds of things and wedging in every occasion. Yeon-Hwa, who suffers from aftermath of lost love, submits resignation with a burst due to nagging and scolding of editor-in-chief.